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                                            <image:caption>&lt;div style=&quot;text-align: left&quot;&gt;&lt;span class=&quot;english-small-1&quot;&gt;Title - Shokunin I&lt;br /&gt;
Duration - approx. 40 minutes&lt;br /&gt;
Choreographer / Dancer - Kai Tomioka Aya Misaki&lt;br /&gt;
Music - Andrea Balency-Béarn (original score)&lt;/span&gt;&lt;/div&gt;</image:caption>
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                                            <image:caption>Yui</image:caption>
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                                            <image:caption>

&lt;br /&gt;
『(YUI) 結』&lt;br /&gt;

&lt;br /&gt;

&lt;br /&gt;
YUI 結 is a work that celebrates every stage of life: its beginning, its unfolding, its journey, and its ending.&lt;br /&gt;

&lt;br /&gt;

&lt;br /&gt;
As the Shinano River flows through Niigata nourishing the land it touches before finding its way to the Sea of Japan, this piece honours the journeys and connections that sustain us: &lt;br /&gt;
the land we stand on, the communities we belong to, and the stories and cultures we inherit. Within this flow of place and memory, we recognise a simple truth: &lt;br /&gt;
regardless of age, story, or experience, we are bound together by our capacity to share, to witness, and to belong. &lt;br /&gt;
To look forward with hope and optimism, and to look back with the warmth of memory.&lt;br /&gt;

&lt;br /&gt;

&lt;br /&gt;
結 (Yui) means to bind, to tie, to connect, to join together.&lt;br /&gt;

&lt;br /&gt;
An intergenerational work bringing together dancers and movers spanning ages 5 to 73.&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;


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                                            <image:caption>&lt;div style=&quot;text-align: left&quot;&gt;&lt;span class=&quot;english-small-1&quot;&gt;Shokunin is the Japanese term for craftsperson,&lt;br /&gt;
referring not only to technical skill,&lt;br /&gt;
but to a lifelong dedication to mastery, precision, humility, and care. This work translates that spirit into contemporary dance, approaching choreography as a dialogue with materials in which transformation emerges through repetition, accumulation, and sustained attention.&lt;br /&gt;
It is the first chapter in an ongoing series built around this concept. The work is informed by sensibilities found across practices
such as nanba walking, Zen, and the Mono-ha movement:a commitment to listening closely to a material rather than imposing upon it. Within this framework, the body itself becomes a material 
to be observed, shaped, and understood through experience.&lt;br /&gt;
We are interested in how attention can reveal what is already present. Space, time, sound, memory, sensation,&lt;br /&gt;
and the subtle movement of the body are treated as&lt;br /&gt;
realities to be encountered rather than represented.&lt;br /&gt;
&lt;br /&gt;
&lt;/span&gt;&lt;/div&gt;</image:caption>
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                                            <image:caption>&lt;div style=&quot;text-align: left&quot;&gt;&lt;span class=&quot;english-small-1&quot;&gt;The work creates conditions in which these elements can be experienced and shared. At its core, Shokunin I explores the relationship between making and being made.&lt;br /&gt;Through repetition, restraint, and deep engagement with process, choreography emerges not as a fixed form but as something continually discovered. The work draws upon artistic experiences in Japan, where an awareness of negative space, tension, presence, and materiality has profoundly influenced the artists&amp;#x27; approach. These influences shape not only the aesthetic of the work but its choreographic logic, cultivating a practice of listening, patience, and attentiveness.&lt;/span&gt;&lt;/div&gt;&lt;br /&gt;&lt;br /&gt;
&lt;br /&gt;
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                    <image:loc>https://freight.cargo.site/t/original/i/E3121539475909199698641235275442/SHOKUNIN I</image:loc>
                                            <image:caption>&lt;div style=&quot;text-align: left&quot;&gt;&lt;span class=&quot;english-small-1&quot;&gt;Title - Shokunin I&lt;br /&gt;
Duration - approx. 40 minutes&lt;br /&gt;
Choreographer / Dancer - Kai Tomioka Aya Misaki&lt;br /&gt;
Music - Andrea Balency-Béarn (original score)&lt;/span&gt;&lt;/div&gt;</image:caption>
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                                            <image:caption>&lt;div style=&quot;text-align: left&quot;&gt;Hollow&lt;/div&gt;</image:caption>
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                                            <image:caption>Bohyo (儚氷) (2025) — Choreography by Kai Tomioka.&lt;br /&gt;
Performed at Chidoribunka, Osaka&lt;br /&gt;
Dancers: Aya Misaki, Yuki Takahashi, Sayo Homma, Kai Tomioka, Tamako Kuramoto&lt;br /&gt;
Music by Andrea Balency-Bearn&lt;br /&gt;
Photography by Mex Wahab</image:caption>
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                                            <image:caption>Bohyo (儚氷) (2025) — Choreography by Kai Tomioka.&lt;br /&gt;Performed at Chidoribunka, Osaka&lt;br /&gt;Dancers: Aya Misaki, Yuki Takahashi, Sayo Homma, Kai Tomioka, Tamako Kuramoto&lt;br /&gt;Music by Andrea Balency-Bearn&lt;br /&gt;Photography by Mex Wahab</image:caption>
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                                            <image:caption>Bohyo (儚氷) (2025) — Choreography by Kai Tomioka.&lt;br /&gt;Performed at Chidoribunka, Osaka&lt;br /&gt;Dancers: Aya Misaki, Yuki Takahashi, Sayo Homma, Kai Tomioka, Tamako Kuramoto&lt;br /&gt;Music by Andrea Balency-Bearn&lt;br /&gt;Photography by Mex Wahab</image:caption>
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                                            <image:caption>Bohyo (儚氷) (2025) — Choreography by Kai Tomioka.&lt;br /&gt;Performed at Chidoribunka, Osaka&lt;br /&gt;Dancers: Aya Misaki, Yuki Takahashi, Sayo Homma, Kai Tomioka, Tamako Kuramoto&lt;br /&gt;Music by Andrea Balency-Bearn&lt;br /&gt;Photography by Mex Wahab</image:caption>
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                                            <image:caption>Bohyo (儚氷) (2025) — Choreography by Kai Tomioka.&lt;br /&gt;Performed at Chidoribunka, Osaka&lt;br /&gt;Dancers: Aya Misaki, Yuki Takahashi, Sayo Homma, Kai Tomioka, Tamako Kuramoto&lt;br /&gt;Music by Andrea Balency-Bearn&lt;br /&gt;Photography by Mex Wahab</image:caption>
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                                            <image:caption>Bohyo (儚氷) (2025) — Choreography by Kai Tomioka.&lt;br /&gt;Performed at Chidoribunka, Osaka&lt;br /&gt;Dancers: Aya Misaki, Yuki Takahashi, Sayo Homma, Kai Tomioka, Tamako Kuramoto&lt;br /&gt;Music by Andrea Balency-Bearn&lt;br /&gt;Photography by Mex Wahab</image:caption>
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                    <image:loc>https://freight.cargo.site/t/original/i/C3124200366629780293232359960242/One, and the same trailer</image:loc>
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                    <image:loc>https://freight.cargo.site/t/original/i/T3124218415680498517679752670898/NUKEGARA 抜け殻 final 2</image:loc>
                                            <image:caption>&lt;div style=&quot;text-align: left&quot;&gt;抜け殻 (NUKEGARA)&lt;br /&gt;

&lt;br /&gt;
&lt;br /&gt;&lt;br /&gt;

&lt;br /&gt;
A shell remains.&lt;br /&gt;

&lt;br /&gt;
The shape of a body that was once there, still clinging to the tree. It has already left, yet its presence lingers in the imprint of its former self.&lt;br /&gt;

&lt;br /&gt;
To shed is to let go. It is to leave something behind.&lt;br /&gt;

&lt;br /&gt;
We don’t only grieve absence; we continue to inhabit the spaces shaped by what once existed. The body we carry holds traces of bodies, places, and selves that are no longer there.&lt;br /&gt;

&lt;br /&gt;
There is a moment in the shedding where both bodies exist at once.  The one being left behind, and the one still becoming. Neither quite gone, neither fully arrived.&lt;br /&gt;

&lt;br /&gt;
The shell is empty because life has moved elsewhere. It is empty to make space for what might come next.&lt;br /&gt;

&lt;br /&gt;
&lt;br /&gt;&lt;br /&gt;

&lt;br /&gt;
抜け殻。&lt;br /&gt;

&lt;br /&gt;
そこの木の幹にしがみついていた。&lt;br /&gt;

&lt;br /&gt;
もう実態は無いが、かつてあった存在は、まだ印象を残している。&lt;br /&gt;

&lt;br /&gt;
&lt;br /&gt;&lt;br /&gt;

&lt;br /&gt;
脱皮する事は、何かを捨てて前に進むこと。&lt;br /&gt;

&lt;br /&gt;
不在を悲しむだけで無く、一度は存在したものを軌跡として心に刻んでおくのだ。&lt;br /&gt;

&lt;br /&gt;
そして今の存在は次の存在と時を共有している。二つが共に不在では無く、二つが共に存在するわけでも無い。&lt;br /&gt;

&lt;br /&gt;
抜け殻は、生命が他に進んだがために空っぽだ。&lt;br /&gt;

&lt;br /&gt;
しかしその殻は、次に来るものがそのそれを埋める事を知っている。&lt;br /&gt;

&lt;br /&gt;
埋める存在を待ち望んでいるのだ。&lt;/div&gt;</image:caption>
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                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/A3124228149197242730893210611378/&quot;Who am I?&quot; Dance Film</image:loc>
                                            <image:caption>WHO AM I (DANCE FILM)&lt;br /&gt;
CHOREOGRAPHY / PERFORMER: KAI TOMIOKA&lt;br /&gt;
FILMMAKING / CINEMATOGRAPHY: AKIHITO OHSAKI&lt;br /&gt;
COSTUME : MAI SUZKI&lt;br /&gt;
MUSIC COMPOSITION: ANDREA BALENCY - BEARN&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
“Who am I?” — The Film and First Collaboration (2024)&lt;br /&gt;
&lt;br /&gt;&lt;div style=&quot;text-align: left&quot;&gt;“Who am I?” marked the beginning of my ongoing collaboration with visual artist Mai Suzuki and composer Andrea. Created over a single week between Tokyo and Shimane, the film explored duality, identity, and cross-cultural connection through dance, sound, and visual design. Filmed in both urban and natural landscapes, the work juxtaposed the intensity of Tokyo with the stillness of rural Japan, reflecting the coexistence of chaos and quiet that defines contemporary existence.&lt;br /&gt;
The film was edited collaboratively across Japan, the UK, and Mexico making it a cross-continental creative exchange in both time and space. Mai’s handcrafted costumes, constructed from traditional tatami and Kumiko woodwork, embodied fragility and transformation, while Andrea’s score was built from environmental recordings and material sounds. Presented in black and white, the film stripped away colour to reveal tone, texture, and the equality of all elements in the movement, sound, and image, forming the basis of our shared aesthetic philosophy.&lt;/div&gt;</image:caption>
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